VASCAM concert 2018 *Of Times and Perspectives*

After a massive success last year, VASCAM is back to Musco Center for the Arts in Orange city, CA., to open its third year of activity on Sunday March 25, 2018 with a concert at 4pm. As one of the six artistic affiliates at Musco, including LA Opera and Philharmonic Society of Orange County, VASCAM promises a beautiful concert: *Of Times and Perspectives*.

The concert portrays a journey of five living Vietnamese overseas composers spanning five different generations. Continue reading


Journey of an Opera is out and up

It has been an eye-opening experience to prep my two booklets for printing, with two different companies, on my own. Obviously I did not have a good experience Continue reading

ON LIFE. A Narrative Concert: It’s all about aesthetics


—– Đọc bài tiếng Việt —–

Resounding drumming. ON LIFE begins with the drum.

A universal tool existing in all cultures known to mankind, the drum is used for communication and rituals, among other things. “It is like a communal voice,” VASCAM president P. Q. Phan said. For a meeting, an announcement, a signal for attack or retreat in war time, a rallying sound, and so on. A warm association of the drum that brings sweetness to Vietnamese people’s ears dates back thousands of years. According to K. W. Taylor, author of A History of the Vietnamese, the Âu và Lạc peoples of ancient Vietnam traveled on water. They announced their arrival by beating on bronze drums. Today, archeological artifacts confirmed those drums as belonging to the Đông Sơn culture that dated more than 500 years BC and lasted to the first century. These bronze drums were used for communication and rituals, not musical instruments onstage. Then again in the 18th century, Emperor Quang Trung was known for the battle drum that bolstered his soldiers’ spirit serving as attack signals, and that turned celebratory in tone upon their sweeping victory. At the Quang Trung Museum in Tây Sơn, Bình Định province, one could catch this drum performance at certain times during the week.

Why does ON LIFE begin with the drum? Continue reading

A Vietnamese Requiem: The creation process

Photo © Anvi Hoàng

Photo © Anvi Hoàng

—– Đọc bài tiếng Việt —–

A Vietnamese Requiem by P.Q. Phan
Premiered on Friday, April 24th 2015 by NOTUS: IU Contemporary Vocal Ensemble

Composer’s Note

A Vietnamese Requiem is the first requiem ever written using a Buddhist text and composed in a parallel format to a Western standard requiem. A Vietnamese Requiem is also the first of its kind to use Vietnamese.

There are two major components I thoroughly investigated prior to composing A Vietnamese Requiem: the text and the musical approach. Continue reading

“Requiem” không phải là “nhạc/kinh cầu siêu”  |  “Requiem” is not “nhạc/kinh cầu siêu” in Vietnamese

Photo by Anvi Hoàng

Photo by Anvi Hoàng

I don’t translate requiem into Vietnamese, for the same reason I don’t translate opera into Vietnamese, or hát chèo into English. 

“Requiem” is not “nhạc/kinh cầu siêu”, just as “nhạc/kinh cầu siêu” is not “requiem”.


Lý do tôi không dịch requiem sang tiếng Việt cũng là lý do tôi không dịch opera ra tiếng Việt, cũng là lý do tôi không dịch hát chèo sang tiếng Anh, v.v.

“Requiem” không phải là “nhạc/kinh cầu siêu”, cũng như “nhạc/kinh cầu siêu” không phải là “requiem”.

A Vietnamese Requiem: What and Why

Photo by Anvi Hoàng

Photo by Anvi Hoàng

—– Đọc bài tiếng Việt —–

Requiem is a large scale musical composition typically lasting from about thirty minutes to over an hour. In Western music history requiem is the most important musical genre used to honor, to celebrate or mourn a death or deaths of many people in the public. This genre typically utilizes a certain Christian liturgical text and an instrumental force. A requiem is designed to be performed on stage, meant to be celebratory in tone or preaching about the significance of the Judgment Day, and open to the public in a concert event.

In Vietnam, the musical tradition that deals with death is considered a family affair. Continue reading

‘Mystery’ of Opera Singing Revealed (2) – The Training


Patricia Stiles as ‘Preziosilla’ in “La Forza del Destino” by Verdi – Photo courtesy of Stiles

An in-person interview with Patricia Stiles presents a remarkable experience, especially so for a non-musician as I am, as she talked about the singing techniques with demonstrations. At close-up, an opera singer’s voice is obviously very powerful, not so much in terms of decibels as to pierce your ear drums but with the power, vibration, and warmth that inspire and lift your soul. One finds it difficult not to marvel at how wonderful it is what the human voice can do. Though this kind of demonstration is impossible to get in writing but can be made understandable with articulation the way Patricia Stiles did. Continue reading